Oscar-winner Gene Hackman, wife Betsy Arakawa and dog were dead for some time, warrant shows

Gene Hackman, the prolific Oscar-winning actor whose studied portraits ranged from reluctant heroes to conniving villains and made him one of the industry’s most respected and honored performers, has been found dead along with his wife at their home. He was 95.

The investigation into the death of Hackman, his wife and dog has found no signs of foul play or gunshot or other wounds, and the gas company is assisting with the probe in a sign that authorities could suspect carbon monoxide poisoning is to blame.

Hackman was found dead Wednesday in a mudroom and his 63-year-old wife, Betsy Arakawa, was found dead in a bathroom next to a space heater, the Santa Fe County Sheriff’s Office wrote in a search warrant. There was an open prescription bottle and pills scattered on the counter top near Arakawa.

Denise Avila, a sheriff's office spokesperson, said there was no indication that any of them had been shot or had other types of wounds.

The New Mexico Gas Co. tested the gas lines in and around the home after the bodies were discovered, according to the warrant. At the time, it didn’t find any signs of problems and the Fire Department found no signs of a carbon monoxide leak or poisoning. A sheriff's detective wrote that there were no obvious signs of a gas leak, but he noted that people exposed to gas leaks or carbon monoxide might not show signs of poisoning.

The gruff-but-beloved Hackman was among the best actors of his generation, appearing as villains, heroes and antiheroes in dozens of dramas, comedies and action films from the 1960s until his retirement in the early 2000s.

“He was loved and admired by millions around the world for his brilliant acting career, but to us he was always just Dad and Grandpa. We will miss him sorely and are devastated by the loss,” his daughters and granddaughter said in a statement Thursday.

Chris Ramirez, spokesperson for the University of New Mexico Health Sciences Center, which runs the state’s medical examiner operations, declined to comment on whether any conclusions had been reached on the cause and manner of deaths of Hackman and Arakawa.

Worker found bodies of Hackman and his wife

A maintenance worker reported that the home’s front door was open when he arrived to do routine work on Wednesday, and he called police after finding the bodies, investigators said. He and another worker said they rarely saw the homeowners and that their last contact with them had been about two weeks earlier.

Hackman appeared to have fallen, a deputy observed. He was wearing a blue t-shirt, gray sweatpants and slippers. A pair of sunglasses and a cane were nearby.

A dead German shepherd was found in a bathroom closet near Arakawa, police said. Two healthy dogs were found on the property — one inside and one outside.

The Associated Press left email and phone messages Thursday for sheriff’s officials seeking more details. A spokesperson for the University of New Mexico Health Sciences Center, which runs the state’s medical examiner operations, declined to comment on whether the cause and manner of deaths had been determined.

Actor known for his versatility

His dozens of films included Oscar-winning roles in “The French Connection” and “Unforgiven,” a breakout performance in “Bonnie and Clyde,” a comic interlude in “Young Frankenstein," a turn as the comic book villain Lex Luthor in “Superman” and the title character in Wes Anderson’s 2001 “The Royal Tenenbaums.”

The gruff-but-beloved Hackman was among the finest actors of his generation, appearing as villains, heroes and antiheroes in dozens of dramas, comedies and action films from the 1960s until his retirement in the early 2000s.

Hackman seemed capable of any kind of role — whether an uptight buffoon in “Birdcage,” a college coach finding redemption in the sentimental favorite “Hoosiers” or a secretive surveillance expert in Francis Ford Coppola’s Watergate-era release “The Conversation.”

“Gene Hackman a great actor, inspiring and magnificent in his work and complexity,” Coppola said on Instagram. “I mourn his loss, and celebrate his existence and contribution.”

A plain-looking man with a receding hairline, Hackman held special status within Hollywood — heir to Spencer Tracy as an everyman, actor’s actor and reluctant celebrity. He embodied the ethic of doing his job, doing it very well, and letting others worry about his image. The industry seemed to need him more than he needed the industry. Beyond the obligatory appearances at awards ceremonies, he was rarely seen on the social circuit and made no secret of his disdain for the business side of show business.

“Actors tend to be shy people,” he told Film Comment in 1988. “There is perhaps a component of hostility in that shyness, and to reach a point where you don’t deal with others in a hostile or angry way, you choose this medium for yourself.”

He was an early retiree — essentially done, by choice, with movies by his 70s — and a late bloomer. Hackman was in his mid-30s when cast for “Bonnie and Clyde” and past 40 when he won his first Oscar, as the rules-bending New York detective “Popeye” Doyle in the 1971 thriller about tracking down Manhattan drug smugglers, “The French Connection.”

Jackie Gleason, Steve McQueen and Peter Boyle were among the actors considered for the role. Hackman was a minor star at the time, seemingly without the flamboyant personality that the role demanded. The actor himself feared that he was miscast. A couple of weeks of nighttime patrols of Harlem in police cars helped reassure him.

One of the first scenes of “The French Connection” required Hackman to slap around a suspect. The actor realized he had failed to achieve the intensity that the scene required, and asked director William Friedkin for another chance. The scene was filmed at the end of the shooting, by which time Hackman had immersed himself in the loose-cannon character of Popeye Doyle. Friedkin would recall needing 37 takes to get the scene right.

“I had to arouse an anger in Gene that was lying dormant, I felt, within him — that he was sort of ashamed of and didn’t really want to revisit,” Friedkin told the Los Angeles Review of Books in 2012.

Hackman also resisted the role which brought him his second Oscar. When Clint Eastwood first offered him Little Bill Daggett, the corrupt town boss in “Unforgiven,” Hackman turned it down. But he realized that Eastwood was planning to make a different kind of western, a critique, not a celebration of violence. The film won him the Academy Award as best supporting actor of 1992.

“To his credit, and my joy, he talked me into it,” Hackman said of Eastwood during an interview with the American Film Institute.

Eugene Alden Hackman was born Jan. 30, 1931, in San Bernardino, California, and grew up in Danville, Illinois, where his father worked as a pressman for the Commercial-News. His parents fought repeatedly, and his father often used his fists on Gene to take out his rage. The boy found refuge in movie houses, identifying with Errol Flynn and James Cagney as his role models.

When Gene was 13, his father waved goodbye and drove off, never to return. The abandonment was a lasting injury to Gene. His mother had become an alcoholic and was constantly at odds with her mother, with whom the shattered family lived (Gene had a younger brother). At 16, he “suddenly got the itch to get out.” Lying about his age, he enlisted in the U.S. Marines.

“Dysfunctional families have sired a lot of pretty good actors,” he observed ironically during a 2001 interview with The New York Times.

In 1956, Hackman married Fay Maltese, a bank teller he had met at a YMCA dance in New York. They had a son, Christopher, and two daughters, Elizabeth and Leslie, but divorced in the mid-1980s.

Hackman met Arakawa, a classically trained pianist who grew up in Hawaii, when she was working part-time at a California gym in the mid-1980s, the New York Times reported in 1989. They soon moved in together, and by the end of the decade had bought their home in Santa Fe.

He and Arakawa had no children together. In 1999 they had adopted three German shepherds, according to the Baltimore Sun.

Hackman told the film magazine Empire in 2020 that he and Arakawa liked to watch DVDs she rented.

"We like simple stories that some of the little low-budget films manage to produce,” he said.

When not on film locations, Hackman enjoyed painting, stunt flying, stock car racing and deep sea diving. In his latter years, he wrote novels and lived on his ranch in Sante Fe, New Mexico, on a hilltop looking out on the Colorado Rockies, a view he preferred to his films that popped up on television.

The 2,300 square-foot home on one acre was built in 2000 and had an estimated market value of a little over $1 million, according to Santa Fe County property tax records. It is modest compared to the sprawling estate next door, which was valued at $7.9 million.

Hackman was often seen around town and served as a board member of the Georgia O’Keeffe Museum in the 1990s, according to the local paper, The New Mexican.

Aside from appearances at awards shows, he was rarely seen in the Hollywood social circuit and retired about 20 years ago. His was the rare Hollywood retirement that actually lasted.

Hackman also co-wrote three novels, starting with the swashbuckler, “Wake of the Perdido Star,” with Daniel Lenihan in 1999, according to publisher Simon & Schuster. He then penned two by himself, concluding with “Pursuit” in 2013, about a female police officer on the tail of a predator.

In his first couple decades in New Mexico, Hackman was often seen near the historic state capitol, which known as an artist enclave, tourism destination and retreat for celebrities.

“I’ll watch maybe five minutes of it,” he once told Time magazine, “and I’ll get this icky feeling, and I turn the channel.”

An email sent to his publicist was not immediately returned early Thursday.

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