Music

The spring of 1933 brought the first of many insidious measures levied against the Jews of Germany, long before the so-called "Final Solution." The systematic institutionalization of anti-Semitism included the boycott of Jewish businesses, the confiscation of property, the prohibition of marriages between Jews and Aryans and, from the earliest days, the expulsion of Jewish musicians, actors and artists from the nation's orchestras, opera companies and theaters. The little-known story of Jüdische Kulturbund is brought to light in "The Inextinguishable Symphony" (John Wiley & Sons, 2000) by Martin Goldsmith, for years a respected music host and commentator on National Public Radio.
A troupe of 70 young musicians from the Greater Twin Cities Youth Symphonies travelled through China for a concert tour. The tour took the students through Beijing, Xian, and Shanghai to perform in some of China's most prestigious concert halls. The musicians also toured some of China's historical sites, including the Forbidden City, Tiananmen Square, the Great Wall, the Summer Palace, the Terra-cotta Warriors, the Grand Canal, and the old and new Shanghai. MPR classical music host Mindy Ratner sent diary entries back to us during the GTCYS tour.
I'd never seen Perlman perform live. Never seen how slowly he makes his way on those crutches and how a violin section parts itself extra-wide so he can get to his podium and chair. The concertmaster held his violin and bow, waiting. The audience greeted him especially warmly. The applause was still full as he planted his left crutch up on the podium and swung his left leg up. Then the right crutch. As he swung his right leg up—I can't say exactly what happened next, but for some reason his right leg missed the podium altogether, and his right crutch flew out with it.
An amiable, modest public figure or a morbidly sensitive, possibly suicidal, neurotic? Such are the conflicting images of Peter Ilich Tchaikovsky, whose birthday we celebrate this month. Though the popularity of his music is undisputed, the picture of Tchaikovsky the man has been anything but. Alexander Poznansky, a Russian music scholar at Yale, has taken a fresh look at this complex personality in "Tchaikovsky Through Others' Eyes" (University of Indiana Press, 1999) - a fascinating account of his life and career collected from the diaries of people closest to him.
It's the most famous aria in the world. Everybody knows it - but not everybody knows what it's about. So we called in the experts from the Minnesota Opera's production of The Barber of Seville. Listen to baritone Ryan Taylor and conductor Emmanuel Plasson as they join MPR's John Birge to deconstruct Figaro.
Sometime in the Middle Ages, Christian churches began observing Holy Week by retelling the story of Christ's crucifixion in music. Those beginnings were simple—Bible verses set to simple chant melodies—but eventually they would culminate in one of the most ambitious musical compositions of all time. When J. S. Bach came to write his St. Matthew Passion in the 1720s, the passion, as a musical form, had grown to allow orchestra, choirs, and non-scriptural choruses and arias. But even by the standard of the Baroque passion, the Passion According to St. Matthew is exceptional for its musical richness and its grand scope.
Sounds Irish features music by and conversation with some of Ireland's most prominent classical artists and ensembles, including James Galway, two harp players (Minnesota's Ann Heymann and Clíona Doris of County Down) in studio sessions, singer Caitríona O'Leary, remembering composer Joan Trimble and more.
Female musicians in the United States have gone from playing piano in their families' drawing rooms during the early 20th century to conducting or composing for some of the country's most renowned orchestras today. But it hasn't been an easy road to travel. Women who have faced incidents of prejudice in their careers as musicians recount the hurdles they've had to overcome in Instrumental Women—a two-hour radio special that celebrates women's contributions to 20th century classical music.
With the season of carols upon us, and our own Festival of Carols right around the corner, MPR asks VocalEssence Series Artistic Director (and annual Welcome Christmas! Carol Contest judge) Philip Brunelle to educate us on the sounds of Christmas.
Over the years, Aaron Copland has been hailed as the quintessential American composer by everyone from Leonard Bernstein, who said, "He's the best we've got," to director Spike Lee, who paid musical tribute to Copland in his films. November 2000 marks the centenary of his birth - 100 years of Copland. To mark the occasion, we've come up with 10 nuggets about 10 aspects of the composer - 100 audio clips, anecdotes, quotes, and more.